Fisheye Magazine #6
Fisheye Magazine #6
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Sport, beyond the stereotypes
Fisheye puts itself in the colors of sport for its 6th issue. We went in search of the Panini image of English striker Robbie Fowler or explore Olivier Cablat’s take on these famous vignettes. Neil Leifer, Sports Illustrated photographer, gives us a mythical picture of Mohamed Ali in a fight that we now know was fixed. We even followed a baseball season for a year. The subject will never be exhausted, so much the sport and the photo are generators of stories in perpetual renewal. A stadium, a court, a swimming pool, a basketball court, what better setting to freeze the legend? Warm up, the kick-off of this new Fisheye is given.
In this issue, we also discover the new photo scene in India. We decipher the pop feminism of Femen. And we entrust the test to a judoka and the portfolio to the lines of flight of a great reporter.
In stock
Released on newsstands May 14, 2014
Bimonthly
Additional information
| Weight | 0,544 kg |
|---|---|
| Dimensions | 30 × 23 × 1 cm |
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Fisheye Magazine #14
Fisheye MagazinePhotographers play it collective
For this back-to-school issue, we asked ourselves about collaborative work in photography. Faced with the myth of the lone wolf photographer, we had to highlight the increasing number of initiatives that see works being developed within a mutual reflection where each one enriches rather than vamps on the other. Our dossier shows the multitude of points of view and the ability to put egos behind the common achievement. Fisheye investigated in France and abroad by interviewing photographers who tell us about their journey. And by discovering experiences which, like so many laboratories, seek solutions to continue to invent what photography allows to explore. Let's embark on a journey to Cambodia, Nigeria, the United Kingdom, the Republic of Congo, Poland, Canada, Angola, Argentina, and of course France, for a visit to photographers who have decided to work together. From the Month of Photography in Montreal, which questions the post-photographic condition with Joan Fontcuberta, to the Photaumnales, which revisits old processes, via a panorama of Swiss photography, the new edition of Photoquai, the saga from Hara-Kiri to Charlie Hebdo, the dive into Peter Menzel's archives to the emergence of the Internet, or the controversy over Robert Capa's D-Day photos, this new issue of Fisheye should tickle your curiosity.
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Fisheye Magazine #20
Fisheye MagazineDocumentary photography: Let's get to the stories
This 20th issue of Fisheye brings you a feature on documentary photography, a genre that falls between photojournalism and fine art, with a history and writing in motion. A name that is very present today, that can be found on the posters of festivals and galleries. Fisheye tries to shed light on this part of photography by giving a voice to authors, critics and curators, and by going to see what is happening on social networks. This 20th edition will also take you to a panorama of Belgium photography, for a focus on this small country with great talents. You will also go to Switzerland to take a look at the Images Vevey festival, before going to Hong Kong to discover the images of the new generation presented at Photaumnales, and to make a detour to China for a rereading of the Cultural Revolution. Finally, you can dive back into the underground Paris of the 1980s, make a detour to the neighborhoods of the Paris region to meet new entrepreneurs, or be dazzled by L'Indifférence des étoiles, the discovery portfolio by Julien Mauve. This issue also marks the opening of the Fisheye Gallery. A space dedicated to contemporary authors with a strong personal universe. The very good reception you gave us in Arles this summer, with thousands of visitors and several dozen prints sold, pushes us to continue this experimentation that completes our magazine. More and more of you are following us on social networks, on our website, in newsstands or by subscription, and we hope that this craze will also materialize at the Fisheye Gallery in Paris, which will open its doors on September 29th.
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Fisheye Magazine #16
Fisheye MagazineThe automated image, authors take on machines
Images that are made without any human intention are growing and proliferating around us. Photomatons, surveillance cameras, satellites, drones... If these images could lead one to believe at first sight that the authors have disappeared, the latter turn the paradox around by using them as material to regain their authority. The development of techniques always reveals the concerns of a society and its technological unconscious, and these new photographs tell us something of our time. We therefore ask the question of these images without author. What do they bring? What do they tell? What are their uses? How do artists take possession of them? The subject is vast and touches the borders of freedom. With this mass of photos, the reflection is now on their analysis and their exploitation in this "marvellous" set that is the Big Data. Each automated image contributes to a system that is questionable, to say the least, and yet no one refutes it. As a society magazine about images, we had to open the debate. In this issue, you will also find a report on phototherapy, an investigation on photography in China, a portrait of Eileen Gittins, the founder of Blurb, and of course portfolios such as the one by Géraldine Millo on young people in training, or the one by Estelle Hanania which features funny characters conjuring up the evil spirits of winter. With also David Burnett's view on sports, and many other things...
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Fisheye Magazine #33
Fisheye MagazineThe women who make the photo
Is there such a thing as a woman's eye? Should quotas be imposed to compensate for the under-exposure of women photographers in cultural events, even though they are in the majority when they leave photo schools. Should we implement positive discrimination? These are the questions that a dozen women involved in the photo industry in France are answering today. They are independent curators, gallery owners, photo editors, managers at the Ministry of Culture... Their points of view allow them to address with finesse subjects that are currently crossing the photography scene, and that will be developed during several round tables at Paris Photo, among others.
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