Fisheye Magazine #41
Fisheye Magazine #41
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Circulation(s) festival, 10 years of discoveries
The Circulation(s) festival celebrates today its 10th edition. Ten years of clearing the young European photography, its emergences, its experimentations, its adventures. An itinerary that we have often accompanied in the pages of our magazine, so close are our sensibilities. Many of the artists we have seen hanging on the walls of the festival and published in the pages of Fisheye. There is no coincidence in this partnership, as evidenced by the portrait we already devoted to its flamboyant founder, Marion Hislen, in September 2015, who returns here in a long interview on this beautiful story. This dossier also gives us the opportunity to unfold a panorama in images of this decade and to collect the words of some of the 500 authors discovered by the team of Fetart, the association behind this event.
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Fisheye Magazine #4
Fisheye MagazineSelfie, all egocentric?
For this January issue, Fisheye dedicates the feature of its fourth issue to the new generation self-portrait: the selfie. To understand how this word has invaded our daily lives, Fisheye called on sociologist Monique Dagnaud and psychologist Sylviane Barthe Liberge. Our two specialists of social networks analyze this self-portrait taken at arm's length and posted on social networks. Artists, amateur photographers and readers of Fisheye have also given us their vision of the selfie. From Justin Bieber to Barack Obama, embark on a 2.0 ego trip. Fisheye n° 4 is also an analysis through images of the FN propaganda, the story of the GoPro epic, the deciphering of the Snapchat app, an apartment transformed into a pinhole camera and a trip to China to meet the performer photographers.
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Fisheye Magazine #37
Fisheye MagazineThe taste of authors: 10 photographers favorites
For six years now, the Fisheye teams have been defending an authors' policy - a notion inherited from the 7th art that critics and directors of the New Wave claimed loud and clear. Photographers are also authors, and we would like to pay tribute to them once again in an exceptional 60-page dossier that gives pride of place to the image. The ten artists we publish here have, for the most part, already found their place in our magazine, on our website, or on the walls of our gallery. We continue to follow their work and to support them, because they are the line of force of our activities. These are the women and men who, through their eyes, give us a different view of the world. They are the very material of these pages, and without their creativity and loyalty, we would not be here today.
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Fisheye Magazine #24
Fisheye MagazineModern Bestiary
Fisheye is a society magazine that deals with the world through the eyes of photographers, and it seemed obvious to us that authors engaged in the representation of animals had new things to tell us. With images that speak above all about us, humans, and the way we project our fears, our weaknesses and our social organizations onto animals. Finding the authors around the globe was a delight, a real treasure hunt that allowed us to find beautiful, funny, moving or inspiring nuggets. Contemporary wildlife photography delivers strong messages, like William Wegman, who signs the cover of this issue. This 24th edition of Fisheye went to the country of the Rising Sun to see what was happening in Kyotographie, the new up-and-coming festival, before exploring the photographic offerings of the Netherlands, as generous as they are varied. Then it was to Sweden, in the suburbs of Malmö, that Martin Bogren took us with his Tractor Boys, offering us, thanks to his smoky images, a dizzying journey into the world of teenagers. But we didn't neglect France, either, as we went to La Gacilly, in Brittany, to discover emerging talents, or to Vichy, where the Modds agency exhibited its French touch at the Portrait(s) festival. This issue also takes you to other territories: Adobe is preparing a revolution that should reshape the landscape in depth; some municipalities are deploying their anti-homeless arsenal, which the Survival Group catalogues in images... But fortunately, Guerlain brings us a touch of poetry with the photos of Sarah Moon, Alice Springs and Dolorès Marat, who take a look at women...
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Fisheye Magazine #22
Fisheye MagazinePhotographers and Politics: Power Games
2017 will be an intense political year, between the election of a new President of the Republic next May and the election of the National Assembly in June. A great opportunity to examine the relationship between photographers and politicians, who regularly clash over issues of the power of image and the image of power. The views of a dozen authors served as guides in this investigation and led us to editorial offices, print and web, and social networks. A way to decipher how, from information to propaganda, images try to take power over our consciences. This issue also focuses on the new edition of Circulation(s), on a trip to Lianzhou, China, the land of all photographic possibilities, to New Orleans by night and to nightclubs by day. You will also descend into the bowels of the Earth with Raphaël Dallaporta to (re)visit the Chauvet cave in a surprising way. You will go to Haiti to discover Kolektif 2 Dimansyon, and then Corentin Fohlen's offbeat look presented at the Fisheye Gallery, starting January 18. You will travel to Flint, Michigan, to meet Claressa "T-Rex", a young woman who has just won her second Olympic boxing title in Rio.
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