Fisheye Magazine #41
Fisheye Magazine #41
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Circulation(s) festival, 10 years of discoveries
The Circulation(s) festival celebrates today its 10th edition. Ten years of clearing the young European photography, its emergences, its experimentations, its adventures. An itinerary that we have often accompanied in the pages of our magazine, so close are our sensibilities. Many of the artists we have seen hanging on the walls of the festival and published in the pages of Fisheye. There is no coincidence in this partnership, as evidenced by the portrait we already devoted to its flamboyant founder, Marion Hislen, in September 2015, who returns here in a long interview on this beautiful story. This dossier also gives us the opportunity to unfold a panorama in images of this decade and to collect the words of some of the 500 authors discovered by the team of Fetart, the association behind this event.
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Fisheye Magazine #33
Fisheye MagazineThe women who make the photo
Is there such a thing as a woman's eye? Should quotas be imposed to compensate for the under-exposure of women photographers in cultural events, even though they are in the majority when they leave photo schools. Should we implement positive discrimination? These are the questions that a dozen women involved in the photo industry in France are answering today. They are independent curators, gallery owners, photo editors, managers at the Ministry of Culture... Their points of view allow them to address with finesse subjects that are currently crossing the photography scene, and that will be developed during several round tables at Paris Photo, among others.
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Fisheye Magazine #18
Fisheye MagazineSlow photo sets the tempo
Time remains, in its complexity, the central actor in photography. It directly impacts the light, the exposure and the final rendering. In this new issue, we wanted to question the practices of slow photography, a movement with ill-defined contours born in opposition to immediacy, fulgurance, immediate sharing and total ubiquity. Practices that emphasize the photographic experience, the materiality of the media and the recording of time rather than moments. With photographers who favor silver photography, large format cameras, pinhole cameras, Polaroid or old processes such as ambrotype or Fresson prints. At the dawn of its third year, Fisheye is growing fast and, as we announced, we are inaugurating the Fisheye Gallery in June, in the 10th district of Paris. A space to present the views, the authors, the people we believe in since a long time. A new adventure that will extend the focus on photographers in the print edition, our website and social networks. We are preparing new surprises for the summer issue which will be resolutely placed under the sign of the Meetings...
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Fisheye Magazine #30
Fisheye MagazineSocial photography, activist practices
More than photojournalists who respond to press orders, the actors of social photography make their practice a life choice, which is also a political choice. With new writings to awaken our consciences. A photography of commitment that renews the classic approaches of photoreportage to move the lines. The authors presented in this dossier propose us to look at what we don't see, what we don't want to see, what we can't see anymore.
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Fisheye Magazine #21
Fisheye MagazineAfrica revealed by itself
We've been circling around African photography for a while now without really managing to find the right angle. Obviously, since Fisheye's inception, we've done a lot of articles on the subject, but it seemed to deserve more. The creativity, energy and talent of African photographers are obvious. Beyond the founding fathers, notably Malians or South Africans, it is a whole new generation that displays its style, its point of view and its aspirations in a global impulse that celebrates the multiple influences of the continent. With this dossier, we have tried to share our view of this fundamental movement without trying to be encyclopedic. In this issue 21 with its increased pagination (148 pages), you will also find a focus on Polish photography, a report on the Valparaiso festival, several portfolios, from adolescence seen by Steeve Iuncker to the situation in Syria seen by four Syrian artists. Not to mention all our usual sections: music, video, exhibitions, books, politics, education... plus a new "cooking" page.
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