Invisibility

This new Fisheye issue placed under the sign of invisibility highlights works by artists who remind us of the political dimension of images. Like the South African photographer Zanele Muholi (on the cover), who shows us how much an image can impact our consciences, or Elliott Verdier's portfolio in Liberia, or the one by Parlamenti and Pantanella that maps out the "countries that don't exist". Not to mention the exceptional work of Guillaume Herbaut, who paints a scathing portrait of a Fifth Republic at the end of its rope.

Landscape Surveyors

Using film or digital photography techniques, mobilizing artificial intelligence algorithms or resorting to physical manipulations, a dozen contemporary photographers offer their vision of landscape, one of the most traditional genres of representation modes. Nourished by centuries of images, these landscape surveyors explore our connection to the world, our relationship to the sublime or to territories in struggle by climbing mountains or immersing themselves in the oceans. Combining fiction, science and visual arts, their poetic investigations question our space and our ways of inhabiting it.