Fisheye Magazine #31 – Digital edition
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Dating from Arles
DIS PAPA, SCHIZOPHRENIA IN IMAGES
THE MIDDLE EAST-UTOPIC OF ANDREA AND MAGDA
PORTRAIT :
Raphaëlle Stopin, watchwoman of emergences
JOB :
Editorial Director at Magnum
HISTORY :
Guerlain and the photo celebrate their 190th birthday
VIDEO ART :
Diving in Afrocyberfeminism
SKU: FIS-MAG-031-1
Category: Fisheye Magazine - digital
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Fisheye Magazine #44 – Digital edition
Fisheye Magazine - digitalWomen photographers come out of the shadows
After our special issue on women photographers in 2017, and the dossier published two years ago on the 10 women who make photography in France, Fisheye returns once again to the lack of visibility of women in the 8th art. The awareness of this underexposure is beginning to be recognized, as evidenced by Une Histoire mondiale des femmes photographes, which has just been published by Textuel editions, which we report on in this feature. But the road is still long. This is underlined by a study commissioned by the Ministry of Culture, whose figures we publish here. The institution has also taken the initiative, with Paris Photo, to organize a digital journey as part of its policy to promote the visibility of women photographers. This platform, ellesxparisphoto.com, brings together nearly 40 women, young, confirmed, little known or who have marked the history of photography. Biographical information, interviews and videos allow us to look back at their commitments.
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Fisheye Magazine #40 – Digital edition
Fisheye Magazine - digitalDOSSIER: WINTER TALES
APPALACHIAS: SNAKES OF FAITH LIANZHOU, AN UNPREDICTABLE FESTIVAL PORTFOLIO : The hallucinated world of Gabriel Boyer FOCUS : Counter-history of slavery PORTRAIT : Kyotography by Lucille Etyusuke NUMERIC ARTS : La Gaîté Lyrique does experiences bodies POLITIC : Claudia Andujar and the Amerindians
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Fisheye Magazine #48 – Digital edition
Fisheye Magazine - digitalRenaissance
Fisheye new concept Telling, inspiring, revealing contemporary photography This is neither our 50th issue, nor our 10th anniversary, nor a remarkable date, just the right time to question ourselves and propose a new formula in line with your expectations and with our vision. Fisheye, after eight years, really needed a new look with this fierce will to serve the authors even better. So the team went to work in order to reinvent itself, to question itself, to elevate itself. We kept what we felt was at the heart of the project: the name, the format and the authors. The rest, we rethought entirely. In addition to this new cover (which exists in a premium version for subscribers), you will find two different papers inside. A satin paper at the beginning and at the end for analysis, diaries, portraits, columns or reflection. In the center, a matte paper that serves a sequence of 60 pages of portfolios that tell us stories, without ads, as an immersion in the best of the photo productions of the moment. This sequence is at the heart of the new Fisheye, because it sums up the spirit of the magazine: to find, all over the world, the looks that are most in tune with our time. We wanted to be an anti glossy paper. This object that you hold in your hands has a perenniality. It is no longer a magazine, nor a book, nor a mook, but a separate object that has been designed to pay tribute to photographers. From the fiction of war to the blind who dream in images, from Théo Gosselin's melancholic road trip to the healers of Peru, Fisheye has rethought its heart to better nourish your souls.
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Fisheye Magazine #42 – Digital edition
Fisheye Magazine - digitalSex, an air of freedom
For seven years that Fisheye has existed, after about fifty publications counting the special issues, we had not yet taken the step. Is it the “age of reason” that frees us from this ban? Or should we simply see it as an obvious fact: sex concerns us all, and photographers have been dealing with it for a long time with perhaps more freedom. Sex, this object of desire, is at the heart of the practices of certain authors, like Antoine D’Agata, who granted us a precious interview. We wanted to try to bend the gender stereotype and to question what links the image to sexuality, beyond pornography. Inclusive, disturbing and joyful, this dossier will surprise you. To get naked, it is a little what the time imposes to us in order to renew itself, and to leave behind us the burden of our prejudices to reinvent itself.
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