Fisheye Magazine #28
Fisheye Magazine #28
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China in transition
It is to a real exploration that our dossier dedicated to the photographic creation in China invites you. In addition to a report that took us to Lianzhou to discover the first public museum of photography, to Xiamen for the second edition of the Jimei x Arles International Photo Festival, and to Hong Kong to visit the new galleries, you will find many portfolios and analyses to understand the reasons for this effervescence. Chinese photographers bear witness to the mutations of their country through their views and experiments, using in turn documentary images, staging, performance, vernacular images, video or virtual worlds.
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Fisheye Magazine #37
Fisheye MagazineThe taste of authors: 10 photographers favorites
For six years now, the Fisheye teams have been defending an authors' policy - a notion inherited from the 7th art that critics and directors of the New Wave claimed loud and clear. Photographers are also authors, and we would like to pay tribute to them once again in an exceptional 60-page dossier that gives pride of place to the image. The ten artists we publish here have, for the most part, already found their place in our magazine, on our website, or on the walls of our gallery. We continue to follow their work and to support them, because they are the line of force of our activities. These are the women and men who, through their eyes, give us a different view of the world. They are the very material of these pages, and without their creativity and loyalty, we would not be here today.
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Fisheye Magazine #6
Fisheye MagazineSport, beyond the stereotypes
Fisheye puts itself in the colors of sport for its 6th issue. We went in search of the Panini image of English striker Robbie Fowler or explore Olivier Cablat's take on these famous vignettes. Neil Leifer, Sports Illustrated photographer, gives us a mythical picture of Mohamed Ali in a fight that we now know was fixed. We even followed a baseball season for a year. The subject will never be exhausted, so much the sport and the photo are generators of stories in perpetual renewal. A stadium, a court, a swimming pool, a basketball court, what better setting to freeze the legend? Warm up, the kick-off of this new Fisheye is given. In this issue, we also discover the new photo scene in India. We decipher the pop feminism of Femen. And we entrust the test to a judoka and the portfolio to the lines of flight of a great reporter.
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Fisheye Magazine #15
Fisheye MagazineCollections: open house
Obviously, this was bound to happen to us. More than two years wondering about photography, we were bound to come across the subject of the collection. To choose our files, we put all the themes that pass through our head on small pieces of paper in a jar, we mix and we ask the youngest to draw lots. We were trying to avoid the collection, but there, we had no choice, there was only one left. We had to stick to it. We started with those we like, the authors, these photographers who have things to express through their images. They often have a place of choice in private or public collections, such as those of the Maison Européenne de la Photographie or the Fonds National d'Art Contemporain, which opened their doors to us. And then, we rubbed shoulders with collectors before tackling the psychological aspect of the thing. But the real problem of the collection is that of meaning. What meaning do we give to a collection, as owners or viewers? Is it an artistic or mercantile act to collect? In the end, this theme wasn't so bad. Very nice, in fact. But we'll have to put some papers back in the jar. In this autumn issue, we tried to bring out little nuggets, like Stephan Vanfleteren's incredible work (yes, really) on Charleroi or Olivier Jobard and Samuel Gratacap's long term reports on the migratory phenomena started many years ago. We also have some in-depth papers, like the one on Arab photography, and very poetic portfolios such as the one by Juliette-Andrea Elie or the one by the South Korean artist Mi-Yeon.
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Fisheye Magazine #24
Fisheye MagazineModern Bestiary
Fisheye is a society magazine that deals with the world through the eyes of photographers, and it seemed obvious to us that authors engaged in the representation of animals had new things to tell us. With images that speak above all about us, humans, and the way we project our fears, our weaknesses and our social organizations onto animals. Finding the authors around the globe was a delight, a real treasure hunt that allowed us to find beautiful, funny, moving or inspiring nuggets. Contemporary wildlife photography delivers strong messages, like William Wegman, who signs the cover of this issue. This 24th edition of Fisheye went to the country of the Rising Sun to see what was happening in Kyotographie, the new up-and-coming festival, before exploring the photographic offerings of the Netherlands, as generous as they are varied. Then it was to Sweden, in the suburbs of Malmö, that Martin Bogren took us with his Tractor Boys, offering us, thanks to his smoky images, a dizzying journey into the world of teenagers. But we didn't neglect France, either, as we went to La Gacilly, in Brittany, to discover emerging talents, or to Vichy, where the Modds agency exhibited its French touch at the Portrait(s) festival. This issue also takes you to other territories: Adobe is preparing a revolution that should reshape the landscape in depth; some municipalities are deploying their anti-homeless arsenal, which the Survival Group catalogues in images... But fortunately, Guerlain brings us a touch of poetry with the photos of Sarah Moon, Alice Springs and Dolorès Marat, who take a look at women...
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