Fisheye Magazine #28
Fisheye Magazine #28
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China in transition
It is to a real exploration that our dossier dedicated to the photographic creation in China invites you. In addition to a report that took us to Lianzhou to discover the first public museum of photography, to Xiamen for the second edition of the Jimei x Arles International Photo Festival, and to Hong Kong to visit the new galleries, you will find many portfolios and analyses to understand the reasons for this effervescence. Chinese photographers bear witness to the mutations of their country through their views and experiments, using in turn documentary images, staging, performance, vernacular images, video or virtual worlds.
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Fisheye Magazine #16
Fisheye MagazineThe automated image, authors take on machines
Images that are made without any human intention are growing and proliferating around us. Photomatons, surveillance cameras, satellites, drones... If these images could lead one to believe at first sight that the authors have disappeared, the latter turn the paradox around by using them as material to regain their authority. The development of techniques always reveals the concerns of a society and its technological unconscious, and these new photographs tell us something of our time. We therefore ask the question of these images without author. What do they bring? What do they tell? What are their uses? How do artists take possession of them? The subject is vast and touches the borders of freedom. With this mass of photos, the reflection is now on their analysis and their exploitation in this "marvellous" set that is the Big Data. Each automated image contributes to a system that is questionable, to say the least, and yet no one refutes it. As a society magazine about images, we had to open the debate. In this issue, you will also find a report on phototherapy, an investigation on photography in China, a portrait of Eileen Gittins, the founder of Blurb, and of course portfolios such as the one by Géraldine Millo on young people in training, or the one by Estelle Hanania which features funny characters conjuring up the evil spirits of winter. With also David Burnett's view on sports, and many other things...
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Fisheye Magazine #19
Fisheye MagazineSpecial Rencontres d'Arles
For the three years of the magazine, the Fisheye team decided to play it arlesian. Not with the idea of letting you down, quite the contrary. The Rencontres d'Arles are every year a privileged meeting to observe the trends of contemporary photography, which is also one of our ambitions. So we have put together a dossier on these special events to guide you through a selection of serious, refreshing, colorful, confusing or mysterious exhibitions. You will be able to dive into the universe of monsters and extraterrestrials, to make a detour through pop Africa, to stroll through the history of street photography, to treat yourself to a Camargue western session, to wonder about new documentary approaches, to succumb to the charm of vernacular photos, or to discover emerging photographers. You will also find your sections to decipher the world around us, from the American elections to the issues of harassment, through new images of current events, drone races, sports or music photos, without forgetting the portfolios that give priority to the author's images. Arles is also (first of all?) a festive event, with its screenings, its animations, and its meetings, of course... The opportunity to meet within our Fisheye Gallery which takes its summer quarters at the Toy Store from July 4th to September 15th, in the ancient Roman city converted to photography since almost half a century.
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Fisheye Magazine #4
Fisheye MagazineSelfie, all egocentric?
For this January issue, Fisheye dedicates the feature of its fourth issue to the new generation self-portrait: the selfie. To understand how this word has invaded our daily lives, Fisheye called on sociologist Monique Dagnaud and psychologist Sylviane Barthe Liberge. Our two specialists of social networks analyze this self-portrait taken at arm's length and posted on social networks. Artists, amateur photographers and readers of Fisheye have also given us their vision of the selfie. From Justin Bieber to Barack Obama, embark on a 2.0 ego trip. Fisheye n° 4 is also an analysis through images of the FN propaganda, the story of the GoPro epic, the deciphering of the Snapchat app, an apartment transformed into a pinhole camera and a trip to China to meet the performer photographers.
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Fisheye Magazine #14
Fisheye MagazinePhotographers play it collective
For this back-to-school issue, we asked ourselves about collaborative work in photography. Faced with the myth of the lone wolf photographer, we had to highlight the increasing number of initiatives that see works being developed within a mutual reflection where each one enriches rather than vamps on the other. Our dossier shows the multitude of points of view and the ability to put egos behind the common achievement. Fisheye investigated in France and abroad by interviewing photographers who tell us about their journey. And by discovering experiences which, like so many laboratories, seek solutions to continue to invent what photography allows to explore. Let's embark on a journey to Cambodia, Nigeria, the United Kingdom, the Republic of Congo, Poland, Canada, Angola, Argentina, and of course France, for a visit to photographers who have decided to work together. From the Month of Photography in Montreal, which questions the post-photographic condition with Joan Fontcuberta, to the Photaumnales, which revisits old processes, via a panorama of Swiss photography, the new edition of Photoquai, the saga from Hara-Kiri to Charlie Hebdo, the dive into Peter Menzel's archives to the emergence of the Internet, or the controversy over Robert Capa's D-Day photos, this new issue of Fisheye should tickle your curiosity.
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