Fisheye Magazine #2
Fisheye Magazine #2
4,90€
Reinventing photojournalism
For this second issue, Fisheye probes photojournalism, travels with travelers, crosses Mexico with Alejandro Cartagena’s Car Poolers, explores the Rio photo scene, goes in search of the elusive JR, scans cameras and gets lost in the desert with Yougo Jeberg.
Out of stock
Released on newsstands September 7, 2013
Bimonthly
Additional information
| Weight | 0.544 kg |
|---|---|
| Dimensions | 30 × 23 × 1 cm |
Quickview
4,90€
Fisheye Magazine #27
Fisheye MagazinePublishing, a new generation turns the page
The world of photo publishing is in the midst of a major shakeup. A new generation of independent publishers is shaking things up. Favoring the production of book-objects made with inventive graphic designers, they are reviving an editorial audacity that was thought to have disappeared. These new players are taking note of the difficulties of the market and are taking advantage of the new tools of production and distribution to develop creative works where the writing of tomorrow is invented. Let's dive into this laboratory of photography through a dozen publishers of this new wave.
4,90€
Quickview
4,90€
Fisheye Magazine #33
Fisheye MagazineThe women who make the photo
Is there such a thing as a woman's eye? Should quotas be imposed to compensate for the under-exposure of women photographers in cultural events, even though they are in the majority when they leave photo schools. Should we implement positive discrimination? These are the questions that a dozen women involved in the photo industry in France are answering today. They are independent curators, gallery owners, photo editors, managers at the Ministry of Culture... Their points of view allow them to address with finesse subjects that are currently crossing the photography scene, and that will be developed during several round tables at Paris Photo, among others.
4,90€
Quickview
4,90€
Fisheye Magazine #14
Fisheye MagazinePhotographers play it collective
For this back-to-school issue, we asked ourselves about collaborative work in photography. Faced with the myth of the lone wolf photographer, we had to highlight the increasing number of initiatives that see works being developed within a mutual reflection where each one enriches rather than vamps on the other. Our dossier shows the multitude of points of view and the ability to put egos behind the common achievement. Fisheye investigated in France and abroad by interviewing photographers who tell us about their journey. And by discovering experiences which, like so many laboratories, seek solutions to continue to invent what photography allows to explore. Let's embark on a journey to Cambodia, Nigeria, the United Kingdom, the Republic of Congo, Poland, Canada, Angola, Argentina, and of course France, for a visit to photographers who have decided to work together. From the Month of Photography in Montreal, which questions the post-photographic condition with Joan Fontcuberta, to the Photaumnales, which revisits old processes, via a panorama of Swiss photography, the new edition of Photoquai, the saga from Hara-Kiri to Charlie Hebdo, the dive into Peter Menzel's archives to the emergence of the Internet, or the controversy over Robert Capa's D-Day photos, this new issue of Fisheye should tickle your curiosity.
4,90€
Quickview
4,90€
Fisheye Magazine #13
Fisheye Magazine2 years of photographic adventures
Fisheye is two years old. Two years of intense adventures that mix photography, authors, societal issues, trends, artists and crossroads. Two years to lead this crazy project: reinventing the photo magazine with aspirations that go from film to social networks, from photojournalism to fine art photography, and that do not forget the unexpected, the joy and new practices. For this 13th anniversary edition, we wanted to give more space to the abundance of photographic creation by devoting our dossier to it. Trying to account for this diversity in twenty pages would have been a fool's errand. To establish a ranking of the ten best photographers to follow, an illusion. That's why we preferred to let the Fisheye team's choices express themselves and present you, in all partiality, a dozen photographers as many biases assumed by each. And as an echo of the first issue which proposed the portrait of a new generation through about twenty French authors, the photographers we show you today were chosen outside of France. You will also find in this issue 13 our usual columns, with the portrait of Jean-Luc Monterosso, a road trip in the footsteps of Meffre and Marchand in Poland, a reportage in Srebrenica, a subject on the new heads of the FN, or an investigation on tax havens by Paolo Woods and Gabriele Galimberti, which will also be exhibited at the Rencontres d'Arles.
4,90€