Fisheye Magazine #2
Fisheye Magazine #2
4,90€
Reinventing photojournalism
For this second issue, Fisheye probes photojournalism, travels with travelers, crosses Mexico with Alejandro Cartagena’s Car Poolers, explores the Rio photo scene, goes in search of the elusive JR, scans cameras and gets lost in the desert with Yougo Jeberg.
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Released on newsstands September 7, 2013
Bimonthly
Additional information
| Weight | 0,544 kg |
|---|---|
| Dimensions | 30 × 23 × 1 cm |
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Fisheye Magazine #37
Fisheye MagazineThe taste of authors: 10 photographers favorites
For six years now, the Fisheye teams have been defending an authors' policy - a notion inherited from the 7th art that critics and directors of the New Wave claimed loud and clear. Photographers are also authors, and we would like to pay tribute to them once again in an exceptional 60-page dossier that gives pride of place to the image. The ten artists we publish here have, for the most part, already found their place in our magazine, on our website, or on the walls of our gallery. We continue to follow their work and to support them, because they are the line of force of our activities. These are the women and men who, through their eyes, give us a different view of the world. They are the very material of these pages, and without their creativity and loyalty, we would not be here today.
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Fisheye Magazine #17
Fisheye MagazineFamily photos tell us stories
Family photos occupy a singular place among the images that surround us. They explore the question of intimacy, the representation of happiness, the relationship to our loved ones, the traces we are left with and those we want to transmit. They are like concentrates of emotion that make us oscillate between joy and melancholy. From genealogists to collectors, they invite themselves into our lives beyond the traditional albums. Photographers, filmmakers, writers, theater people... artists are not to be outdone in questioning these images of our intimacy and developing the stories they conceal. If family photos and their uses have evolved with the changes in society, their relationship to the document is fading in favor of fictions that explore our realities. This is demonstrated by the fifteen or so photographers who tell us their stories, between reality and fiction, from Vik Muniz to Carolle Benitah, via Alain Keler or Louise Narbo. This issue will take you across the Atlantic to discover the new New York scene, and will make a detour to the Pompidou Center, which honors the photography of the 1980s. You will also be able to discover different works: that of the duo Epectase, which questions the political via their residency in Corbeil-Essonnes, as part of L'Œil urbain; Shane Lynam's new series on the seaside resorts built in the 1960s between Montpellier and Perpignan, presented at the Circulation(s) festival; not forgetting a portfolio by Amaury da Cunha, photographer, critic and writer, who sheds light on his work by answering questions from his former teacher, Arnaud Claass.
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Fisheye Magazine #16
Fisheye MagazineThe automated image, authors take on machines
Images that are made without any human intention are growing and proliferating around us. Photomatons, surveillance cameras, satellites, drones... If these images could lead one to believe at first sight that the authors have disappeared, the latter turn the paradox around by using them as material to regain their authority. The development of techniques always reveals the concerns of a society and its technological unconscious, and these new photographs tell us something of our time. We therefore ask the question of these images without author. What do they bring? What do they tell? What are their uses? How do artists take possession of them? The subject is vast and touches the borders of freedom. With this mass of photos, the reflection is now on their analysis and their exploitation in this "marvellous" set that is the Big Data. Each automated image contributes to a system that is questionable, to say the least, and yet no one refutes it. As a society magazine about images, we had to open the debate. In this issue, you will also find a report on phototherapy, an investigation on photography in China, a portrait of Eileen Gittins, the founder of Blurb, and of course portfolios such as the one by Géraldine Millo on young people in training, or the one by Estelle Hanania which features funny characters conjuring up the evil spirits of winter. With also David Burnett's view on sports, and many other things...
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Fisheye Magazine #4
Fisheye MagazineSelfie, all egocentric?
For this January issue, Fisheye dedicates the feature of its fourth issue to the new generation self-portrait: the selfie. To understand how this word has invaded our daily lives, Fisheye called on sociologist Monique Dagnaud and psychologist Sylviane Barthe Liberge. Our two specialists of social networks analyze this self-portrait taken at arm's length and posted on social networks. Artists, amateur photographers and readers of Fisheye have also given us their vision of the selfie. From Justin Bieber to Barack Obama, embark on a 2.0 ego trip. Fisheye n° 4 is also an analysis through images of the FN propaganda, the story of the GoPro epic, the deciphering of the Snapchat app, an apartment transformed into a pinhole camera and a trip to China to meet the performer photographers.
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