Prints

Evanescent, scarlet, masked, luminescent, exposed, subtracted, divided, naked, variegated, disguised, stunned, traversed, contrasting portraits of my emotional states. Playing with shadows, double exposures, grain, flashes, Gabriel Dia composes a series of metaphorical portraits, in which his silhouette is both spied upon and concealed. From fashion to plastic arts, to more experimental representations, the artist merges genres, driven by a fierce desire to reveal his identity without any restrictions. "I have this feeling that the body is the largest and strongest means of expression. It is the most powerful tool," he says. And from this intimate hand-to-hand combat, where he assumes the roles of adversary and confidant, moments of grace are born. Moments of weightlessness where the human being rises, carried by the tolerance and joy that animate the photographs. "This is the meaning of the title of this series: I am metamorphosing. I become someone else in order to be me," concludes Gabriel Dia.

Evanescent, scarlet, masked, luminescent, exposed, subtracted, divided, naked, variegated, disguised, stunned, traversed, contrasting portraits of my emotional states. Playing with shadows, double exposures, grain, flashes, Gabriel Dia composes a series of metaphorical portraits, in which his silhouette is both spied upon and concealed. From fashion to plastic arts, to more experimental representations, the artist merges genres, driven by a fierce desire to reveal his identity without any restrictions. "I have this feeling that the body is the largest and strongest means of expression. It is the most powerful tool," he says. And from this intimate hand-to-hand combat, where he assumes the roles of adversary and confidant, moments of grace are born. Moments of weightlessness where the human being rises, carried by the tolerance and joy that animate the photographs. "This is the meaning of the title of this series: I am metamorphosing. I become someone else in order to be me," concludes Gabriel Dia.

Evanescent, scarlet, masked, luminescent, exposed, subtracted, divided, naked, variegated, disguised, stunned, traversed, contrasting portraits of my emotional states. Playing with shadows, double exposures, grain, flashes, Gabriel Dia composes a series of metaphorical portraits, in which his silhouette is both spied upon and concealed. From fashion to plastic arts, to more experimental representations, the artist merges genres, driven by a fierce desire to reveal his identity without any restrictions. "I have this feeling that the body is the largest and strongest means of expression. It is the most powerful tool," he says. And from this intimate hand-to-hand combat, where he assumes the roles of adversary and confidant, moments of grace are born. Moments of weightlessness where the human being rises, carried by the tolerance and joy that animate the photographs. "This is the meaning of the title of this series: I am metamorphosing. I become someone else in order to be me," concludes Gabriel Dia.

Evanescent, scarlet, masked, luminescent, exposed, subtracted, divided, naked, variegated, disguised, stunned, traversed, contrasting portraits of my emotional states. Playing with shadows, double exposures, grain, flashes, Gabriel Dia composes a series of metaphorical portraits, in which his silhouette is both spied upon and concealed. From fashion to plastic arts, to more experimental representations, the artist merges genres, driven by a fierce desire to reveal his identity without any restrictions. "I have this feeling that the body is the largest and strongest means of expression. It is the most powerful tool," he says. And from this intimate hand-to-hand combat, where he assumes the roles of adversary and confidant, moments of grace are born. Moments of weightlessness where the human being rises, carried by the tolerance and joy that animate the photographs. "This is the meaning of the title of this series: I am metamorphosing. I become someone else in order to be me," concludes Gabriel Dia.