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  • Eric le Brun – Un lion derrière la vitre
    Eric le Brun – Un lion derrière la vitre
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    Eric le Brun – Un lion derrière la vitre

    From Venice to Istanbul, then Jerusalem, Alexandria, Sarajevo and back to Cordoba, Eric LE BRUN's texts appear and circulate between his own photographs. He draws the outline of a vast country of the sea where, in the course of history, softness and threat alternate and spread. In the guard of the book, the old songs and the poems of Anouar BENMALEK chosen and interpreted by Emmanuelle BUNEL for "Un lion derrière la vitre", join and specify the framework of the whole: in the borders of the legends and the stories, in the east as in the west, the cities survive to the men who create them or mistreat them, like arrows thrown in the passage of time. The preface is written by Anouar BENMALEK, an Algerian writer often described as the Mediterranean Faulkner by the literary press. The CD is included in the guard. Multilingual edition: each text in French is translated into English and into the language of the city.
    38,00
  • Naoya Hatakeyama
 – Terrils
    Naoya Hatakeyama
 – Terrils
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    Naoya Hatakeyama
 – Terrils

    The origin of the word "Terril" is rather mysterious and divides historians. Its sonic force is a good representation of the earth extracted, raised. Like blocks of memory, their silhouettes mark the landscape of the Nord-Pas-de-Calais mining basin. An artist sensitive to geographical and industrial transformations, Naoya Hatakeyama crisscrossed these large spaces in 2009, flush with the sky. As a photographer of precision, he made an astonishing journey between the black mountains. Following him, he takes us through the mastery of lights, framing, in his deep images that evoke other worlds, Canada, Iceland, the Camargue ... The slag heap, often ignored or bypassed, takes the central place in the landscapes transmitted by Naoya Hatakeyama. Standing on the flat country, it acts as a call, an imaginary jump.
    35,00
  • Jean-Christophe Hanché – Les enfermés
    Jean-Christophe Hanché – Les enfermés
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    Jean-Christophe Hanché – Les enfermés

    Les Enfermés is a book that takes the reader to the other side of our society. In prison, in psychiatric hospitals, in detention centers... Based on the photographic observations of Jean-Christophe Hanché, photographer and controller of places of deprivation of liberty, the book is instructive, shocking and sincere on the often undignified living conditions, reported from these little visible places. All the images are regularly corroborated by terrible extracts of letters sent by the prisoners to the CGLPL, and by argued extracts of visit reports or emergency recommendations issued by the CGLPL. Thus, a "landscape of the gap" takes shape that the book shows, the raw reality of the places where the prisoners live. Adeline Hazan, head of the CGLPL, signs a committed preface, in the image of the courageous action she is leading. "This book is both a vehicle for information and a lever for improving the situation of persons deprived of their liberty. [In the light of the images, observations and testimonies contained in this book, I invite the reader to ask himself whether the conditions of confinement that France has experienced over the last ten years are a relevant preparation for a return to freedom for the 'locked up'." Adeline Hazan "To have access to places of confinement, for as long as necessary, without any restriction of access, is a rare opportunity in my profession as a photographer. I kept telling myself that in order to give an account of what I saw as closely as possible, as accurately as possible, without adding or subtracting anything. [The sensitive immersion in most of my photographs is not due to my audacity or to a reckless commitment, but only to the time, invisible and patient, of meeting the people who become the subjects of my images. If confinement is unfortunately the main means of punishment, it is also the most excluding. [...] Photographing these people allows me to take them out of invisibility to the outside world, to turn their situation towards a salutary outside, thus highlighting their fundamental rights." - Jean-Christophe Hanché
    36,00
  • Frédéric Cornu – La Ligne d’eau
    Frédéric Cornu – La Ligne d’eau
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    Frédéric Cornu – La Ligne d’eau

    The Water Line is published in connection with the author's solo exhibition at the Institut Pour la Photographie from September 10 to November 15, 2020. The series focuses on the construction project of the Seine-North Canal, which raises questions about major development projects across the landscape of northern France. This North-Seine axis, rich in history, a front line during the First World War, will trace a new water line in the heart of this territory, the stakes of which will be as much cultural, economic and geographical. In the spirit of the photographic work commissioned by the Observatoire Photographique du Paysage, Frédéric Cornu travels through the rural areas affected by the canal's route and takes stock of the situation in order to measure the landscape impacts. This work is part of this new documentary approach, in which the author's eye is sensitive to the imprint of human activity on the landscape. The project has benefited from the support of the Hauts-de-France Region and the Centre National des Arts Plastiques.
    32,00
  • Naoya Hatakeyama – Kesengawa
    Naoya Hatakeyama – Kesengawa
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    Naoya Hatakeyama – Kesengawa

    March 11, 2011 - From the very first pages, Naoya HATAKEYAMA, a photographer, speaks to us, sharing his actions, his impressions, his feelings, at a time when his life as a man is in danger of being turned upside down. He writes his diary, on his way to the North of Japan, after the announcement of the tsunami which submerged the coastal cities. His mind is preoccupied with the fate of his family and friends. Up there, there is the house where his mother lives on the banks of the Kesen River, there is the society of the inhabitants who celebrate the same rituals every year, there is the metal bridge like a stable figure on the passing of time. There are Naoya's memories. The first part of the book is the story of Naoya HATAKEYAMA's journey to the North, a motorcycle journey made difficult by the lack of fuel, the snow, the detours imposed by the destroyed accesses. Parallel to the text, images of happy days in his city, Rikuzentakata, the days of vacations, scroll by. These are the photographs that he began to take in large format, a few years ago, of his native country, thinking that they were a way for him to maintain his own reflection on the past, on time. These images, these memories, suddenly become unique testimonies of what will have disappeared. The first part of the book is a logbook that gathers the thoughts, gestures, memories, and images of Naoya HATAKEYAMA on his way to a new encounter with his destroyed city. The second part has no text, only the photographs after the disaster are shown. The extent of the erasure creates amazement, both for Naoya HATAKEYAMA who discovers it and for the reader who accompanies him. Finally, the essential afterword allows the photographer, and no doubt anyone confronted with an equivalent tragedy, to lay the stones of a possible consolation, between memory and transmission. Naoya HATAKEYAMA's entire photographic work is oriented towards the harmonic search between human and natural landscapes. From UNDERGROUND, one of his first books, which reveals unprecedented views of underground and urban rivers, to the astonishing work BLAST, a stunning account of quarry explosions, Naoya has never stopped questioning the boundary between human activity and natural cover. With patience, he explores the industrial traces in ATMOS, LIME WORKS or TERRILS. This last book was also published by LIGHT MOTIV. It is this same man, placed in an observation outpost, who sees an unexpected cataclysm, of a terrible silent brutality, arise in his own life. Without human cause, without divine explanation. It is this man, photographer and watchman, who continues to watch, without understanding the sanction of the chance that overwhelms him, and other men with him. It is this man who inscribes life, the thought of life, in the derisory harmony, and so human, in solidarity, that he finds on every subject he photographs. Since the disaster, Naoya HATAKEYAMA has been involved in the action launched by Toyo Ito's architecture studio in order to invent places of resource and appeasement for the tsunami survivors. The "Home-for-all" house built by Toyo Ito's studio in Rikuzentakata was presented in conjunction with Naoya's photographs at the Venice Architecture Biennale in September 2012 and was awarded the Golden Lion at this event.
    35,00
  • Corentin Fohlen – Karnaval Jacmel
    Corentin Fohlen – Karnaval Jacmel
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    Corentin Fohlen – Karnaval Jacmel

    Every year, in the city of Jacmel in the south of Haiti, takes place the most important carnival of the country, during the Gras. Most of the inhabitants create and renew their costumes, freely inspired by everything that crosses the Haitian reality and imagination. Since 2014, thanks to this intangible and artistic heritage, Jacmel has been recognized as a creative city of crafts and popular arts by UNESCO. To transmit this magic, Corentin Fohlen chose to isolate each character of the carnival crowd by installing his studio outdoors, and by composing each time its own light. His amazing and precise work reveals beyond the beauty of the costumes, the inventive talent of a people always on their feet. This work was done in 2016 and 2017 during the Jacmel carnival parade, a street photo studio set up for the occasion; it was published in GÉO, LA VIE, NATIONAL GEOGRAPHIC.COM, RENDEZ-VOUS PHOTOS, LFI (Leica Fotografie International), A/R magazine traveler.
    35,00
  • Sold out
    Charles Delcourt – Isle of Eigg
    Charles Delcourt – Isle of Eigg
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    Charles Delcourt – Isle of Eigg

    Eigg is part of the Inner Hebrides archipelago. In 1997, the inhabitants bought back their land together from the Lord who owned it. June 12 was declared Independence Day on this territory of 35 square kilometers, where about forty families now live, all concerned with the governance and fate of the island. Since 2007, the island is in complete autonomy thanks to sustainable resources (hydroelectric, wind and solar). This autonomous territory emerges as a utopian skiff in the world of shared information, a skiff in motion at a time of growing climate concerns. The island of Eigg offers a possibility, a solid local alternative in a drifting world that is simultaneously looking for the lost paradise and the future path. When he landed on Eigg in 2015, Charles Delcourt felt a kind of love at first sight, like a call. Both for the magnificent landscapes of this Scottish island but also and above all for the way of life, rough and committed that the inhabitants develop. During his regular stays on the island, he discovered and documented their way of life. The book is conceived as a gradual acclimatization to the nature of the island, a gradual increase in the surprise and variety of both the landscapes and the inhabitants. It leads the reader to discover a different way of living collectively.
    36,00
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    Seiichi Furuya & Christine Gössler – Face to Face
    Seiichi Furuya & Christine Gössler – Face to Face
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    Seiichi Furuya & Christine Gössler – Face to Face

    In 1973, Seiichi Furuya left Japan for Europe on the Trans-Siberian Railway. He arrived in Austria where he first settled in Vienna, before moving to Graz where he met Christine Gössler in 1978. From that day on, he began to photograph her, in the intimacy of their home in Graz but also during their travels abroad - in Germany, England, Italy...and Japan, their most distant destination. Christine studied art history and worked for the radio, making documentary programs. After the birth of their son in 1981, she became increasingly involved in the world of theater. While she was involved in her acting classes, she began to show signs of schizophrenia. Christine committed suicide in East Berlin in 1985. Since Christine's death, Furuya has never stopped revisiting her archives. This was presented in a series of five books entitled Memoirs, published between 1989 and 2010. In 2018, Seiichi Furuya sorted all of the photos taken by Christine with a pocket camera and a 35mm camera in chronological order for the first time. While processing this new material, he noticed that Christine had taken many portraits of him at about the same time he was photographing her. "This is Face to Face," the photographer realized. This new series consists of 150 photographs, presented in pairs, taken over a period of seven years - from when the couple met to Christine's death. Furuya sees this last project as the final act that will bring the Memoirs, his life's work, to a close.
    55,00
  • Vasantha Yogananthan – Afterlife
    Vasantha Yogananthan – Afterlife
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    Vasantha Yogananthan – Afterlife

    Afterlife is the sixth chapter of Vasantha Yogananthan's long-term project, A Myth of Two Souls, inspired by the epic tale The Ramayana. Drawing on the imagery associated with this myth and its pervasiveness in everyday Indian life, Vasantha Yogananthan has traced the legendary journey from North to South India. A Myth of Two Souls is based on the notion of travel in time and space and proposes a modern rereading of the tale. The afterlife centers on the bloody war between Ravana's army and Rama's army. As the title suggests, the chapter deals with death and reincarnation. With Rama's cruelty finally revealed, the series can be read as a visual exploration of one man's descent into the darkness of the soul. Although the images were shot in Rajasthan and Tamil Nadu during two editions of Dussehra - the Indian festival celebrating the victory of good over evil - they do not document the festivities. They focus on the trance that people try to achieve night after night, as if for a week they were allowed to escape their bodies and become someone else. Back at his studio, Yogananthan made collages by mixing several images to put the viewer in a state of disorientation. The Ramayana has been continually rewritten and reinterpreted through time, and for Yogananthan, the Afterlife was taken up by Indian writer Meena Kandasamy. Amma - the seventh and final chapter of A Myth of Two Souls - will be published next year and will mark the end of the project (2013-2021).
    50,00
  • Clémentine Schneidermann – I called her Lisa-Marie
    Clémentine Schneidermann – I called her Lisa-Marie
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    Clémentine Schneidermann – I called her Lisa-Marie

    Liz named her daughter Lisa Marie, just like Elvis Presley's daughter. French photographer Clementine Schneidermann met Liz in Newport, Wales, just a few miles from the world's biggest festival at the "King." Each year, Liz joins tens of thousands of fans in the seaside resort of Porthcawl to celebrate the life and music of their icon, Elvis Presley. From 2013 to 2017, Schneidermann also joined them, creating portraits of fans Alison and her son, Steve, Samantha and Ian - among many others, for his I Called her Lisa Marie series. Schneidermann spent a lot of time with these people, using his camera to capture the emotion of this flamboyant gathering where the King's life and music offer a moment of solace. Schneidermann is based in Cardiff, and traveled with the Alison and her son from Wales to Memphis, where it all began. She met the couple at the festival, where Alison's son was performing under the stage name Johnny B. Goode. Schneidermann documented their pilgrimage across the Atlantic, creating Johnny B. Goode, a visual travel journal that is presented with I Called her Lisa Marie here in her first monograph.
    40,00
  • Sold out
    Coco Capitán – If you’ve seen it all close your eyes
    Coco Capitán – If you’ve seen it all close your eyes
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    Coco Capitán – If you’ve seen it all close your eyes

    "If You've Seen It All, Close Your Eyes" features excerpts from a decade of handwritten notebooks by artist Coco Capitán. Coco Capitán has always scribbled her thoughts - everywhere, all the time - often on scraps of paper that have filled notebook after notebook. From her first day in London in 2010 to the present day, and as she travels the world on photography assignments, Coco Capitán's writings provide a glimpse into her freewheeling and instinctive creative process. Playful aphorisms and short poems address a range of subjects with touches of humor and irony. She combines the serious with the mundane, sharing social, metaphorical or sentimental moments in her first book with her characteristic witty tone and hand. London-based artist Coco Capitán (b. 1992, Spain), who earned a BA in fashion photography at the London College of Fashion, followed by an MA in photography at the Royal College of Art, works in a variety of genres, including photography, painting, mural, text, video and installation. Capitán has produced campaigns for world-renowned fashion brands and magazines including Vogue, Dazed, Gucci, APC and Mulberry. His first institutional solo exhibition was held at the Daelim Museum in South Korea (2018). His second is in March 2019 at the Maison Européenne de la Photographie in Paris.
    30,00
  • Julie Cockburn – Stickybeak
    Julie Cockburn – Stickybeak
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    Julie Cockburn – Stickybeak

    "Stickybeak" is Julie Cockburn's first full-length monograph. The book coincides with Cockburn's solo exhibition "Telling it slant" at the Flowers Gallery in London, UK (September 12-November 2, 2019) We are all, to some extent, slimy beaks. Many of my fictional heroes and heroines spend their time investigating, or at least snooping into, other people's business: Miss Marple, Lieutenant Columbo, Margo Leadbetter. There are even spy stories in my family's not-so-distant history. Anyone with a social media account is engaging in a little staging - it's human nature to be curious. The work in this book was made over a period of twelve years, some one-off experiments, others part of ongoing series that I add to over time. Each piece began with a search for the perfect image, setting myself vaguely rigorous parameters. I selected used postcards, old photographs, fox bookplates and my own childhood drawings. And each of these foundlings had a different story, an unknown or forgotten story to tell. By submitting to my interventions, they were transformed from silent, redundant orphans into material objects with a regenerated heartbeat. I see this book as a continuation of that process. The editors rummaged through the hundreds of images in my archive in the same way I rummage through the pages of online marketplaces or the mixed tables of car boot shows. My hand embroidery and intricate collages are slightly altered here, with the sequence of images hinting at a gentle, humorous narrative. We'll all read it differently, stopping at the pieces that speak to us most strongly, in our favorite language. But in essence, this narrow selection, our chosen set of consequences, examines how we see ourselves and each other, and the ambiguity of life on many levels. Julie Cockburn
    40,00
  • Thomas Klotz – EVE, la montagne et la jeune fille
    Thomas Klotz – EVE, la montagne et la jeune fille
    36,00300,00
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    Thomas Klotz – EVE, la montagne et la jeune fille

    Available with a first edition exclusively for Fisheye, limited to 20 copies in a boxed set and accompanied by a signed and numbered 18 x 24 cm photographic print. Thomas Klotz's story is a montage, a cleverly punctuated juxtaposition, these photos tell a story, the one I see: a tale involving a mountain and a young girl.
    36,00300,00
    36,00300,00
  • Inframince #15 – L’image n’est pas le territoire
    Inframince #15 – L’image n’est pas le territoire
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    Inframince #15 – L’image n’est pas le territoire

    Edtorial / Caroline Bernard - Nicolas Giraud - Portfolio / Who owns the USA Nans Bortuzzo - Dossier / New geographical imaginaries Jean Dubois et AL. - In free fall: an attempt to reflect on the vertical perspective Hito Steyerl - Do we still have our feet on the ground? Guillaume Pascale New devices for questioning territories Danièle Méaux - Laboratory / Blur, leaf, line Jean-Roch Siebauer - Interview / Eric Tabuchi - Nicolas Giraud - Portfolio / Building materials Mezli Vega Osorno The journal inframince, a research journal on image and photography, dedicates its issue 15 to a reflection on the ways of representing our contemporary environments, notably through the augmented forms of the image. An increasing quantity of images is now produced by machines and is more and more addressed to other machines. They map, measure, evaluate and one of the questions is how to insert a practice and a thought in this dialogue of machines. This issue is built in dialogue with the research project Beyond Operative Images conducted by the ENSP and UQAM. It brings together texts by Danièle Méaux, Jean Arnaud, Guillaume Pascale, Hito Steyerl, Jean-Roch Siebauer and an interview with Eric Tabuchi. It is an opportunity to reflect on new modalities of the image and the way they reconfigure our environments.
    15,00
  • Voyages extra-ordinaires – Festival du Regard 2020
    Voyages extra-ordinaires – Festival du Regard 2020
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    Festival du Regard 2020 – Voyages extra-ordinaires

    Photography, from its origins, has developed around two axes: the family photo and the travel photo. Whether they are tourist souvenirs captured by amateurs or reports from the other side of the world, photography has by essence a status associated with the idea of displacement, disorientation, elsewhere... And each time, the trip upsets our preconceived ideas and upsets our daily life, far from home we forget the ordinary and we are confronted with the extraordinary. This is what we wanted to highlight here, the ordinary of some can become the extraordinary of others, that of travelers or spectators of a photo exhibition (the Festival du Regard is setting up a huge old post office in Cergy-Pontoise... a journey in itself!). For such is the power of the still image, to stop time and space to propose an interpretation that is both documentary and poetic, both realistic and fictional. Exhibiting photographers : Evgenia Arbugaeva, Rémi Noël, Cédric Delsaux, Graciela Iturbide, Davide Monteleone, Gregor Beltzig, Anita Conti, Bogdan Konopka, FLORE, Philippe Séclier, Richard Mosse, Richard Pak, Ronan Guillou, Giorgio Negro, Robert Kluba The Extraordinary Journeys seen by... Sabine Weiss, Vivian Maier, Bernard Plossu , Max Pam , Françoise Nuñez , Jean-Christophe Béchet, Eric Dessert. Sylvie Hugues and Mathilde Terraube Artistic directors of the Festival du Regard
    5,00
  • Aglaé Bory – Odyssées
    Aglaé Bory – Odyssées
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    Aglaé Bory – Odyssées

    Homer's odyssey tells the story of a return that never ends. The return of Ulysses to Ithaca after twenty long years of absence. 
This work is an echo of this original travel story. "I have followed several people in exile, asylum seekers or refugees, most often awaiting status. Most of them live in shelters while waiting for the administration's answer. The wait is often long and painful. It isolates them from reality and locks them in a suspended mental space. Through this succession of portraits and landscapes, I wanted to create a correspondence between their interiority and the landscapes in which these people evolve in order to make this feeling of exile perceptible. 
I photographed them in their places of life, in their daily territory although precarious and temporary. Their eyes are lost through the windows. They are in the blur. They often rely on the sky, whose azure seems to ignore them. The sea is the refuge of their interiority, their hopes and their promises. It is the physical reality of the distance traveled - often they have crossed it to get here - and of the distance."
All suffer from uprootedness and anxiety about their future. This photographic work on exile was made in the city of Le Havre.
    20,00
  • La coopérative de Mai, Julien Mignot, JD Beauvallet – 20 No Music, No Life!
    La coopérative de Mai, Julien Mignot, JD Beauvallet – 20 No Music, No Life!
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    La coopérative de Mai, Julien Mignot, JD Beauvallet – 20 No Music, No Life!

    In March 2020, the Coopérative de Mai celebrates its 20th anniversary. 20 years is the age of a constantly rejuvenated audience that has made the venue its focal point. 20 years is the dizzying countdown of activism, of support to local artists, of clearing the way for Clermont-Ferrand to be on the map of cities that count. Proud of its work, of its importance in the local fabric, the Coopé sees then big and high: the team dreams of a beautiful book, which will be classified among the works of art. Because contrary to what Serge Gainsbourg, whose name the street of the hall bears, affirmed, the team does not believe in the hierarchy between high and low culture, between learned music and popular music. The legendary humility of Didier Veillault and his troops has its limits: they want to hit hard by bringing in indisputable stars. They propose the photographer Julien Mignot and JD Beauvallet, co-founder of the Inrockuptibles. Both are real references and have personal ties with the region. Julien Mignot had already worked in 2005, he was completing a one-year residency at the Coopérative de Mai. His work became his first book. 15 years later, he pinches himself when he is again contacted by the Clermont-Ferrand venue: he is proposed to think, together with JD Beauvallet, about a carte blanche to realize a new work, this time on the occasion of the twentieth anniversary of the Coop.
    30,00
  • Jane Evelyn Atwood – Pigalle People 1978–1979
    Jane Evelyn Atwood – Pigalle People 1978–1979
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    Jane Evelyn Atwood – Pigalle People 1978–1979

    A rare testimony on the Pigalle of the late 1970s, by one of the greatest photographers of today. Paris, 1978. Jane Evelyn Atwood, a young American, walks the streets of Pigalle after her first photographic report dedicated to the city's prostitutes. It is the district of trans-sexuals, with its bars for regulars, its heat, its joys and its violence. One day the photographer sees two transsexuals enter a building. She follows them. They let her photograph them. That's where this book begins. The images it gathers will be realized over a period of a little more than a year, confirming what will be from now on the principles of Jane Evelyn Atwood's work: long time, immersion, respect and empathy. And the world of the night, which fascinates her. This book, full of compassion and lucidity, tells of a Pigalle that has now disappeared, swept away by AIDS and the change of era.
    36,00
  • Frédéric Stucin – Only Bleeding
    Frédéric Stucin – Only Bleeding
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    Frédéric Stucin – Only Bleeding

    A cinematographic and unvarnished Las Vegas seen by a great contemporary portraitist. Las Vegas. City of gambling, neon lights, debauchery, exaggeration, entertainment. However, there are no casinos, palaces, slot machines or stripteases in this book, the first monograph by the portraitist Frederic Stucin. Only Bleeding gathers images made in Las Vegas between 2011 and 2017, Downtown and along the Strip, the boulevard where 35 to 40 million visitors are concentrated per year. But of this mirage city, finally, it is little question... In black and white to get to the point and erase any documentary malen- tense, in horizontal format to accentuate the cinematographic dimension, like a long travelling memory in the manner of the beginning of Down By Law by Jim Jarmusch, but where each image leaves the reader free to invent his own memories: these images do not explain anything, they observe. In the purest line of Street Photography, they probe the soul of an imaginary city, take the pulse of its buzzing, movement, wandering, solitude and margins. They resemble the memories of happy days in which the one who remembers would not have participated, and from which he would only manage to glean tired debris.
    36,00
  • Jean-Christian Bourcart – L’oiseau noir perché à droite dans ma tête
    Jean-Christian Bourcart – L’oiseau noir perché à droite dans ma tête
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    Jean-Christian Bourcart – L’oiseau noir perché à droite dans ma tête

    An autobiographical story, both dark and luminous, by one of today's great photographers of the intimate. The black bird perched on the right side of my head is an autobiographical story that mixes deceptively disparate photographs and texts from Jean-Christian Bourcart's diary. Photographs and texts are put in dialogue, sometimes responding directly, sometimes in a more subjective way. Alternating narrative fragments from distant travels (Madagascar, China, Japan, Nicaragua...), reflections of inner life (dreams, feelings, fantasies, nightmares), glimpses of the American society in which he lives and family or intimate scenes, the book bears witness to the evolution of the author in a period of transition where he moves away from his social life to engage in the study of shamanism and sacred plants of Amazonia. Crossed by a brutal vitality as much as by an impossible search for comfort and peace, sometimes dark and painful, sometimes luminous and sweet, Jean-Christian Bourcart invites us to cross a stubbornly unstable universe, faithful to his attraction to the motifs of contradiction and movement. By transposing what happens in his own life, he would like to suggest the ineffable possibility of exploring - with humor as much as possible - new territories of human experience, whose limits are too often imposed by ourselves.
    30,00