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Fisheye supports the publishing world by adding photographic books to its online store. Now is the time to fill your library!

Every year, the Fisheye team receives many books. Valuable copies, which allow us to relay their releases, write reviews, and participate in the promotion of the works. During the containment, we wanted to go further, to help the book publishing industry.

You can now discover, on our online store, works that have marked us, and whose release has – sometimes – been too discreet. The works of Douglas Mandry (published by RVB Books), Sandrine Elberg (The Constellations), Francesca Todde (Departure for the Image), Gaël Bonnefon (Lamaindonne), or Maurice, Sadness and Fun by Charlotte Abramow, edited by us, are already available. A promising collection that only needs to grow. Don’t wait any longer to purchase photo books!

  • Tabitha Soren - Surface Tension
    Tabitha Soren - Surface Tension
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    Tabitha Soren – Surface Tension

    The photographs that make up Tabitha Soren's book, Surface Tension are 20x25 room reproductions of her digital tablet screen. In the background, behind the fingerprints that cover the latter is a corpus of images from both her internet search history, the social networks she consults and the text messages she receives. Pictures of forest fires, protests, police repression, pictures that constitute the news and that we consult daily and often in a mechanical way. His artistic gesture highlights the constant interaction we have with our phone and evokes the collective reality of millions of humans constantly attracted by their screens and who, by dint of receiving an incessant flow of information in constant renewal, gradually forget that they also participate in the world physically and collectively. Surface Tension will be exhibited at Mills College Art Museum (September 2021 - December 2021), Pier 24 Photography (January 2022 - September 2022), and San Francisco Airport (October 2021 - April 2022). Soren has been a multidisciplinary visual artist for over 25 years, long interested in the intersection of culture, politics, the body, and psychology. She lives and works in California, and her work has been included in numerous private collections around the world (including museum collections such as LAC MA, The Getty, Harvard Art Museum, New Orleans Museum of Art, Cleveland Museum of Art, Eastman Museum of Photography, Museum of Contemporary Photography, Pier 24). The book is accompanied by an essay written by Jia Tolentino, a writer for The New Yorker and author of the collection of essays entitled "Trick Mirror: Reflections on Self-Delusion."
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  • Philippe Jarrigeon - Play
    Philippe Jarrigeon - Play
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    Philippe Jarrigeon – Play

    Whether still life, portraits, landscapes, architecture or fashion photographs, Philippe Jarrigeon revisits his archives and composes, for his first book with the obvious title "PLAY", an original sequence that covers more than 10 years of photographic practice. Adept at side stepping he has fashioned a singular and colorful universe, in which it is a question of the aesthetics of the TV sets of the 90s, English cinema, fun and fantasies. His personal vision of pop culture in short. Under the artistic direction of the Beda Achermann studio, the design of the book refers to the magazines from which these images come. The sequence is constructed according to a rainbow of colors and creates what the artist calls "a novel nuancier".
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  • Mazaccio & Drowilal - Paparazzi
    Mazaccio & Drowilal - Paparazzi
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    Mazaccio & Drowilal – Paparazzi

    In their series of images "Paparazzi", the artist duo Mazaccio and Drowilal use and misappropriate images from these image-hunting photographers, and establish a typology of celebrity behavior. "The Beach", "Bike Riding", "Surfing", their titles are more than explicit. If these representations tend to show that they lead a "normal" life (they shop at the supermarket, walk their dog), they nevertheless display the codes that mark their belonging to a class apart (sumptuous villas, heavenly beaches, etc.). Their activities come to be sponsored by brands that see this as a relevant product placement in view of the affects involved. By decontextualizing these models and by working on their accumulation, the artists neutralize the sensational charge inherent in their representation and expose the ideology and the model of society which hide behind this epiphenomenon. Defying the good taste, refuting any hierarchy between the noble image and the vernacular cliché, they operate detour, confrontations, juxtapositions, and by doing so, they deconstruct, the air of nothing, the representations which shape our contemporary imaginary.
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  • Antonio M. Xoubanova - Graffiti
    Antonio M. Xoubanova - Graffiti
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    Antonio M. Xoubanova – Graffiti

    The book Graffiti, although it refers to the urban art movement that appeared in the 1970s in New York, explores above all our relationship to the city. It is the act of marking the city with one's name, of repeating one's tag on a territory, of affirming one's existence that interests Antonio Xoubanova. The latter dissects this means of re-articulating the urban landscape, of gaining attention to the competition of advertising and signage. He insists on the multiplication and the redundancy of an essential self-affirmation, in a falsely chaotic sequence and a book form that, echoing graffiti, frees itself from the rules (no cover, apparent binding, destructured layout). The result is an object that can be described as baroque. The result of four years of shooting and a long collaboration with graphic designer David Mozzeta. Antonio Xoubanova is a member of Blank Paper, a collective of photographers who established themselves in Madrid in the early 2000s to develop and promote their work and create a common intellectual space. Since then, their photography has continued to evolve through a practice whose main characteristics are collaboration and exchange. Far from the official artistic circles and institutions, these photographers have managed to weave an independent network of production, exhibition and dissemination based on solidarity.
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  • Philippe Durand - Chauvet, l'aventure intérieure
    Philippe Durand - Chauvet, l'aventure intérieure
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    Philippe Durand – Chauvet, l’aventure intérieure

    Discovered in France in 1994 in the Auvergne-Rhône-Alpes region, the Chauvet cave is one of the major sites in the History of Humanity, as much for the technical and aesthetic qualities of its cave paintings as for the paleontological pieces present there. It is one of the oldest decorated caves in the world. Forbidden to the general public, it has always been an object of fascination for Man, marking a major turning point in cave art and the history of early man. Diving into the heart of this unique Paleolithic site involved a major artistic challenge for Philippe Durand. To understand the cave is to start from a closed universe, a quantifiable set of signs and a spectacular natural architecture, where time seems to have stopped. Philippe Durand has voluntarily moved away from objective representations to reveal a more intimate, more subjective cave. For this, he uses the technique of multiple exposures to which he associates color filters. Thus he defined a space of creation, of non-objective representation, in which each one can project himself differently. The color is no longer treated in its realistic dimension, it refers rather to an information, to a code, as in astronomical or microscopic photographs. He rediscovers the initial idea of a dreamed, fantasized cave, and takes us on a psychedelic exploration of the most famous site in prehistory. Philippe Durand is the winner of the 2nd edition of the photography contest initiated by the Association pour le Rayonnement de la Grotte Chauvet - Pontd'Arc. The awarding of this prize allowed him to go to the heart of the cave to carry out his photographic project, which led to the publication of the book "Chauvet, l'aventure intérieure" published by RVB Books.
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  • Marion Gronier - We Never Meant To Survive
    Marion Gronier - We Never Meant To Survive
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    Marion Gronier – We Were Never Meant To Survive

    U.S. history deconstructed in the silent power of spare portraits. A promised land for a handful of white religious dissenters fleeing Europe, North America was torn from its natives to be exploited by slaves imported from Africa. Through portraits of members of three founding communities - Native Americans, African-Americans and Mennonites - photographer Marion Gronier seeks to resurrect the ghosts that haunt the country's history and to attest to the persistence of societal violence inherited from the hierarchization of races. Questioning her position as a European artist, she uses the codes of anthropometric photography used in the colonial system at the end of the 19th century - immobile subject, frontal and neutral gaze, centrality of the framing - by altering them in order to better deconstruct them.
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  • Jean-François Spricigo - Oraison sauvage
    Jean-François Spricigo - Oraison sauvage
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    Jean-François Spricigo – Oraison sauvage

    Published November 10, 2021. A contemplative immersion in the fragility of the wild and animal world. Recognized artist, Jean-François Spricigo escapes trends and fashions to develop a personal work where photography is linked to literature, the theater, video and music. In Oraison sauvage, the artist brings together languages, writings and formats to tell the story of his intense relationship with nature, particularly with wild animals. A source of appeasement, this relationship is based not on a hierarchy but on an interdependence, and on a rediscovered balance between sense and intelligence, instinct and knowledge, honesty of emotions and determination of thought. Oraison sauvage brings together in a singular format several series of photographs taken by Jean-François Spricigo since his debut in 2003, in the black and white that is the strength of his writing - but also for the first time in color, and in a variety of formats (medium format, panoramic). The book also gathers texts of several registers and origins: a personal text by the author, an interview with his friend, the recently deceased Belgian writer Marcel Moreau, as well as a text that the latter had devoted to his work in 2004, and finally extracts from the texts of Jean-François Spricigo's theatrical creations, À l'infini nous rassembler, created in 2018 at the Cent-Quatre in Paris with the actress Anna Mouglalis and the dancer Josef Nadj, and Si l'orage nous entend, which will be created in the spring of 2022, and will once again bring together Jean-François Spricigo and Anna Mouglalis, with the countertenor Philippe Jaroussky.
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  • Teo Becher - Charbon Blanc
    Teo Becher - Charbon Blanc
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    Teo Becher – Charbon Blanc

    The industrial history of an alpine valley between documentary and poetry. The landscape of the Maurienne Valley in the French Alps is marked by its industrial history. Known as the "aluminum valley" because of the numerous factories that its torrent supplied with electricity, it is bordered by a highway and soon by a high-speed line. Most of the space in the Maurienne is, however, uninhabitable. In Charbon blanc, a patient documentary work carried out in this territory between 2016 and 2019, the photographer Teo Becher brings together traces of human activity and the mountain landscape photographed at the rhythm of walking, like two intertwined layers of the same history. Interdependence underlined by a dreamlike photography blurring the documentary codes.
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  • Paolo Pellegrin - Des oiseaux
    Paolo Pellegrin - Des oiseaux
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    Paolo Pellegrin – Des oiseaux

    A member of the Magnum agency, Paolo Pellegrin is one of the great photojournalists of his generation. The visual power of his images bears witness to the political, economic and ecological upheavals of the world. His inquisitive mind leads him to put his lens on subjects that are sometimes more contemplative, where nature holds a major place. Thus, during a stay in Japan, the photographer, who went to attend the famous sakura zensen or cherry blossom, is seized by the majesty of a colony of eagles. In Kyoto, the Shimogamo temple, located in the delta of the Kamo-Gawa river, stands in the heart of the Tadasu no Mori forest, or "forest of truth". This Shinto shrine, dating back to the 7th century, is nestled in the middle of a primary forest populated by eagles. Hovering above the visitors, emerging from the foliage with their wings spread, the eagles fly close to the photographer. Their dazzling speed is captured in tight framing: the birds seem to jump out of the frame or fly out of it at full speed. The choreographies follow one another: as a soloist, in duet or in group, these fascinating birds of prey seem to glide through space. Standing out against saturated black and white skies, Pellegrin's eagles stare at us, challenge us, surprise us. Their majesty forces the admiration: they glide, sketch many acrobatics. Their remiges become fingers, their wings become capes. Defying the laws of gravity, immersed in the depths of the undergrowth, Pellegrin's birds invite us to enter a mysterious and ghostly world, where only the animal presence reigns.
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  • Terri Weifenbach - Cloud Physics
    Terri Weifenbach - Cloud Physics
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    Terri Weifenbach – Cloud Physics

    What perceptions do we have of our environment, what is our relationship to the sensitive world? How to capture the elusive in photography? For this new series, Terri Weifenbach is interested in living things, nature, water, air, light, fire, and questions the ability of photography to capture the evanescence of natural and sensitive phenomena. Starting from the study of scientific instruments that measure with great precision meteorological events such as cloud formation, the American photographer invites us to explore the changing, metaphorical character of these impalpable events with all the poetry and finesse that characterize her work. An exploration of the sensitive in contact with the elements During a residency at one of the scientific observation sites of the Atmospheric Radiation Measurement Research Facility (ARM), dedicated to the study of atmospheric phenomena, Terri Weifenbach photographed measuring instruments - installed on a vast plain in Oklahoma - like ready-made. Twilight radiometers, ceilometers, sunphotometers and rain gauges are captured as sentinels recording climate change. Faced with the photographic protocol of these scientific tools, the American photographer deploys an immersive visual corpus: from the salt marshes of St. Catherines Island to the deep valleys of Montana, from the immemorial parks of Nara, Japan, to the Jardin des plantes of the Muséum national d'histoire naturelle in Paris, Terri Weifenbach's images immerse the reader in a nature perceived through its minute variations of light, humidity, and cloudiness. The clouds thicken, are tinged with golden shades, the plant world rustles, sometimes seems to slip away between blur and sharpness, the animal presence is revealed in the hollow of a wood. The photographic gesture becomes perception. Where are we? The reader will know it only at the end... An essay by Luce Lebart, on the emergence of artists' interest in meteorological phenomena from the Renaissance to the first scientific studies on clouds published at the dawn of the 19th century, places Terri Weifenbach's photographic approach in the long artistic quest to try to restore the world's sensitivity.
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  • Bruce Gilden - Cherry Blossom
    Bruce Gilden - Cherry Blossom
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    Bruce Gilden – Cherry Blossom

    This book brings together the photographs that Bruce Gilden took in Japan during two residencies and several trips between 1995 and 1999, presenting both the most iconic and half of the unpublished ones. As always, on an impulse of a few fractions of a second, the Magnum photographer gets as close as possible to his subjects and catches them on the fly. In Tokyo and Osaka, he looks for impenetrable places and is interested in the communities that Japanese society tries to hide, especially the yakuzas, motorcycle gangs, marginal people... The result is a gallery of disturbing and fascinating portraits. Twenty years later Inspired by the exhibition on "The New Japanese Photography" at MoMA in 1974, Bruce Gilden arrived in Japan twenty years later for a first six-month residency at the Villa Medici, followed by a second three-month residency in 1998 in the followed by a second residency of three months in 1998 within the framework of the Japan Foundation and several trips until 2000. With his Leica, he leaves every day, at dawn, to explore a Japan that we don't know, the one of the people on the fringe in the big Japanese metropolises, especially in the dangerous district of Sanya where gangsters I thought I had landed in another world, a kind of Japanese version of the Court of Miracles, where all the day laborers, the destitute, the alcoholics and other socially excluded losers live from day to day. In the evening they light braziers to keep warm and in the early morning they queue up in the hope of being hired by the yakuzas for a small job. I took the subway almost every day to arrive at 5:30 in the morning, in the dark, alone, and trusted my instincts to sniff out danger." Each image is a powerful, nervously energetic encounter that creates the picture of a strange and singular street scene. A first selection of these photographs was published in GO in 2000 and for this new book, twenty years later, Bruce Gilden has delved into his archives. With the benefit of hindsight, he has extracted some thirty unpublished images from these hallucinated stays in search of personalities as strong as his own. In this way, he transcribes his vision of Japan. As an introduction, the photographer also makes us relive his peregrinations through several anecdotes and stories.
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  • Ilanti Illouz - Wadi, dans la clarté des pierres
    Ilanti Illouz - Wadi, dans la clarté des pierres
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    Ilanit Illouz – Wadi, dans la clarté des pierres

    Ilanit Illouz fragments the narrative of family, social or fictional stories. Her elliptical images have something ghostly about them that suggest to go further, to enter deeper into a new materiality. She brings her gaze to the ground like an archaeologist to isolate the defects, to collect fossils, barks or pebbles on this ground cracked by history. The trace visible or not becomes the narrative thread and the basis of the work, of the artist who weaves the link between the past and the present. In 2016, thanks to a grant from the Artists' Foundation, she explored the Judean desert and the banks of the Dead Sea on the border of Palestine, Jordan and Israel. Territories shaped by an immemorial history and located in a zone of political and economic conflicts. This great salt lake has lost a third of its surface area in fifty years and is now threatened with extinction. The drought has had the effect of multiplying the craters that pierce the land on all sides, which is riddled with salt pockets. These "Dolines" have inspired Ilanit the eponymous title of a long term work (2016-2020) documented in this book by and with the artist WADI, in the clarity of the stones. Starting with color shots, the artist develops a body of unpublished salt prints that crystallize and cover the landscapes they compose. "The crystallization of salt after the wet, in Illouz, echoes this dust. Where the Dead Sea withdraws, the fossilized humidity keeps a trace of its passage, a poetic as well as political concretion that transmits what cracks, deforms and resists." E.Notéris
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  • Martin Bogren - Passenger
    Martin Bogren - Passenger
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    Martin Bogren – Passenger

    "A major figure in contemporary Swedish photography, Martin Bogren is developing a work in which the personal and poetic dimension is asserting itself with a practice of photography that is part of a form of initiatory journey. In Passenger, even though the photographs were taken in India during several stays in Calcutta, it is not an Indian chronicle. It is about something else, a form of wandering, which is not limited to a geographical journey, a test of distance or confrontation with an unknown environment and culture, a change of scenery. The photographer delivers a set where a form of abandonment pierces, of letting go that he translates with harsh or dreamlike images. His photographs emerge as subjective visions that reveal ambivalence, angelic or monstrous figures, lightness and violence. For the first time, he integrates color into his work, which he alternates with great consistency with his black and white approach. As a way of developing a language that allows him to experience the world and himself." Caroline Bénichou
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  • Fisheye Photo Review 2021.22
    Fisheye Photo Review 2021.22
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    Fisheye Photo Review 2021.22

    1.5 kg of photos, 291 photographers, 564 images. For the fifth consecutive year, Fisheye sums up a year of explorations, curations and digital publications in a physical book with a refined aesthetic. In 376 pages, 291 photographers, 564 images and almost 1.5 kg, we take the time to observe. All of these series were featured over this past year, i.e., during the pandemic. A suspended time, where dreamlike images have taken on an unprecedented role in our mostly often direct, even crude, relationship with the world—almost as if it were necessary to find crossroads to transmit a mental projection, to reinvent a relationship with reality in order to better embellish it. The Fisheye Photo Review 2021.22, a true “bible” of contemporary photography, a handbook of inspirations, a guide of rising stars offers unexpected connections between fashion, documentary, intimate and experimental projects. This book gives a unique insight into today's visual arts, and proves that there are no limits to audacity. Whether they work with cyanotype, film or digital, the 300 or so artists published here send us a unique and positive message. No, creativity is not at rest!
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  • Les enchanteurs - Stéphane Lavoué
    Les enchanteurs - Stéphane Lavoué
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    Stéphane Lavoué – Les enchanteurs

    "I live on a big granite rock at the end of Finistère. I am surrounded by fire cutters, magicians, magnetizers and geobiologists. A neighbor records the voices of the dead to transmit them to the living. The back house is haunted. And at night, the ocean, nearby, echoes the cries of the perished at sea. I wasn't prepared for this."

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  • François Prost – Gentlemen’s Club
    François Prost – Gentlemen’s Club
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    François Prost – Gentlemen’s Club

    In 2019, François Prost goes on a trip across America. Instead of visiting national parks or exploring big cities, he preferred to take his camera on the trail of strip clubs, from Miami to Los Angeles, in broad daylight. The resulting series, Gentlemen's Club, examines American culture and urbanism in the same breath. Taken from a medium distance, these 200 photographs highlight the stark geometry of American roadside architecture as well as dominant views of gender and sexuality. This work is a continuation of the After Party series, which compiles hundreds of images of nightclub facades in daylight across France. Many thought at the time that these images had been made in the USA (most of these nightclubs draw their architectural and stylistic references from post-war American pop culture). So it was quite natural that the photographer turned to the United States to continue this work.
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  • Masahisa Fukase – SASUKE
    Masahisa Fukase – SASUKE
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    Masahisa Fukase – SASUKE

    After the monograph on all his work, this book is devoted to the emblematic series of Masahisa Fukase around his two cats, Sasuke and Momoe, mixing iconic and unpublished photographs. In 1977, Fukase turns his lens towards his new companion: Sasuke. Surrounded by felines since childhood, he decided with the arrival of this new kitten to make it a photographic subject in its own right, fascinated by this lively creature named after a legendary ninja. To his dismay, Sasuke disappeared after ten days and the photographer put up a hundred posters of his lost cat (those on the cover of the book) in his neighborhood. A person brings him back his cat but it's not Sasuke, but he welcomes him with the same affection. A year later, he takes a second cat, nicknamed Momoe, who will also enter the frame. Fukase will not tire of photographing their games, which will become a real field of visual experimentation without limits. As is often the case in his work, this is a form of projection of the photographer into his subject. The cat, a faithful companion who does not leave him, takes the place of his wife, an eternal heartache, represented later by the emblematic fleeing crows. His cats were the subject of several books during his lifetime. Tomo Kosuga, director of the Fukase archives, has delved into this body of images to conceive this book as the culmination of a series of publications dedicated to his felines.
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  • + PHOTOGRAPHIE #2 – Catalogue 2021
    + PHOTOGRAPHIE #2 – Catalogue 2021
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    + PHOTOGRAPHIE #2 – Catalogue 2021

    Every year, thousands of photographs and objects (prints, negatives, albums...) enter French public collections. National or regional museums, major cultural institutions, Fracs, archive centers or libraries have a dynamic acquisition policy, the richness of which this collection aims to show. This second volume focuses on the acquisitions made by institutions in 2019, both in the field of heritage and contemporary creation. Major national institutions participate in the work along with unexpected or little-known places. Rare works by great masters - Gustave Le Gray, Man Ray - rub shoulders with established contemporary artists - Susan Meiselas, Bernard Plossu or Wolfgang Tillmans. Exceptional historical pieces are presented alongside remarkable curiosities and discoveries: images of the Guadeloupean photographer Adolphe Catan, color fashion photographs from the 1930s, albums of prisoners, archives of major agencies that have forged the imagination of the 20th century ... Through this selection of works placed in their context of creation and acquisition, +Photographie revisits the history of the medium, from its origins to its most contemporary uses, and intends to become a reference collection on the diversity of photography today. THE PHOTOGRAPHERS This book presents the photographs acquired during 2019. It brings together some 180 authors and artists belonging to the heritage and contemporary fields. THE AUTHORS OF THE TEXTS The texts are written by the various curators or people in charge of collections of institutions and museums. The book is prefaced by the Minister of Culture, Roselyne Bachelot-Narquin.
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  • Michel Denancé – ARCHISABLE 2
    Michel Denancé – ARCHISABLE 2
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    Michel Denancé – ARCHISABLE 2

    Curator Tina Bloch has invited 34 European architects to rediscover the gestures of the sand castle builders. On the beaches of Deauville and Benerville, astonishing monuments have risen between sky and sea, mandalas and labyrinths as far as the eye can see have had a fleeting but intense existence. Both land art and sand painting, the proposals, maturely elaborated or improvised according to the inspiration of the moment, are of an amazing diversity. Digging, building, sculpting, molding, scarifying, raking, drawing, modeling... sand lends itself to all poetic inventions. Between two tides, the photographer Michel Denancé has captured their ephemeral beauty, mixing eye-level perspectives and aerial views for a result of great aesthetic strength. THE PHOTOGRAPHER Trained as an architect, Michel Denancé takes more pleasure in observing the work of others than in producing it himself. His reports simultaneously highlight the building itself (both a volume defined by its walls and a living space installed in a site) and the architects' intentions. His photographs appear in the specialized press, sometimes in generalist publications, and accompany monographs of architects (Renzo Piano, in particular), books devoted to a building or thematic reviews. The photographs executed outside of the commissioned work also concern the landscape or the city and are sometimes the subject of books: Dogon Doumbo Doumbo (a micro-territory of the Dogon country), Mille milliards de milieux (landscapes of Seine-Saint-Denis), Un si parfait jardin (Algiers), Petites Agonies urbaines (walled facades in the Paris region), all accompanied by texts by writers and published by Bec en l'air. Tina Bloch is a curator, at the initiative in 2016 of the Archisable project which was the subject of a first book (Éd. Xavier Barral, 2018).
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  • Hugues de Wurstemberger – SÈTE#21
    Hugues de Wurstemberger – SÈTE#21
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    Hugues de Wurstemberger – SÈTE#21

    Release May 21, 2021 ImageSingulières is a festival of documentary photography created in 2009 in Sète. Each year, a photographer is invited to look at the city and produce a series of images that is published in a book. In 2021 the carte blanche is entrusted to the Swiss photographer Hugues de Wurstemberger. Known for his work that emphasizes the links between humans and territory - whether it be his children or the people of Africa - it is once again through the prism of the relationship to the land that he approached his residency by surveying the banks of the ponds (Thau, Vic, Ingril...). Listening to nature, probing the wild grasses of the paths and the lagoon posidonia to the horizon, he transfigures the banality of the ordinary, that of the daily life of the fishmongers, seed growers and other dreamers of the basin. THE PHOTOGRAPHER Hugues de Wurstemberger is a Swiss photographer, member of Agence VU' since its creation in 1986 and represented by Galerie VU'. He first became known for his photographs of the interior of the Swiss Guard. For a long time he worked on the daily life and intimacy of forgotten populations throughout the world. In 2005, he published AOC, une identité retrouvée (Infolio), as well as Pauline et Pierre (Quo Vadis). His work was awarded the Niépce Prize in 1990, the World Press Photo in 1991, and the Silver Award in 2002. THE AUTHOR OF THE TEXT Christian Caujolle is artistic director and curator of numerous international exhibitions. A key figure in the world of contemporary photography, he has written the texts of numerous catalogs and monographs of photographers. He directs the PhotoPhnomPenh festival in Cambodia and has just been appointed artistic advisor to the Château d'Eau (Toulouse). In Sète, along with Gilles Favier, he is the artistic director of the ImageSingulières festival.
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